As an ambitious group of independent filmmakers set out to shoot a movie about a world overrun by ghoulish mutants following a nuclear holocaust, the special effects artists who created the grisly effects for the feature take viewers behind the scenes to show just how they make the murderous mayhem onscreen appear so nauseatingly realistic. 　　Review: "The golden age of gore films was filled with blood squibs, machetes and intestine pulling. I can't think of a film that better pays homage to those fine days of yesteryear than the film within a film, Splatter Architects of Fear. 1986 brought us many things, but at the height of the slasher genre, no film is more memorable as a forgettable piece of trash than this film here. If you have the means, I highly suggest you seek it out."

As an ambitious group of independent filmmakers set out to shoot a movie about a world overrun by ghoulish mutants following a nuclear holocaust, the special effects artists who created the grisly effects for the feature take viewers behind the scenes to show just how they make the murderous mayhem onscreen appear so nauseatingly realistic. 　　Review: "The golden age of gore films was filled with blood squibs, machetes and intestine pulling. I can't think of a film that better pays homage to those fine days of yesteryear than the film within a film, Splatter Architects of Fear. 1986 brought us many things, but at the height of the slasher genre, no film is more memorable as a forgettable piece of trash than this film here. If you have the means, I highly suggest you seek it out."

A string of strange occurrences prompt a dedicated office worker to investigate the nature of his self contained reality

Izumiko Suzuhara (15) was born and raised at Tamakura Shrine, and always destroys any electrical device she touches. She decides to try living in the city, and enrolls in Houjou High School in Tokyo. With her are her guardians son and Izumiko's childhood friend Miyuki Sagara. While she's there, an entity called "Himegami" appears. She learns she is something called a "kami" a vessel for a shinto spirit, while Miyuki is a "yamabushi", a warrior meant to protect the "kami."

The story of the cross destiny of George Orwell (1903-50) and Aldous Huxley (1894-1963), the genius authors of the two most groundbreaking novels of anticipation of the 20th century: 1984 and Brave New World; two lucid witnesses of the maledictions of the modern world whose novels have found a considerable echo with our time.

Abuse of Perfect Data is a moving-image exploration of generational memory, using 16mm archival footage shot by the artist’s grandfather in the 1950s–60s. The film juxtaposes analog slowness with digital acceleration, reflecting on youth anxiety, cultural inheritance, and the transformation of personal archives in the age of data.

Sebastian and Valeria are about to get married. Everything seems perfect but a woman tries to seduce Sebastian while Valeria is pregnant.

The Pope accepts when the friend of a young engaged couple jokingly sends him a wedding invitation.

The Pope accepts when the friend of a young engaged couple jokingly sends him a wedding invitation.

Osaka Korean High School has provided education for the past six decades to the children of pro-North Korean residents in Japan. This school is located only about 20 minutes away from Hanazono Stadium, the mecca of Japan’s high school rugby, but it was not until 1994, 18 years after the foundation of a rugby team at the high school, that the Japanese education ministry approved the team’s entry into the official league. Since then, the team has run in the national league as a representative of the Osaka area and been considered a front-runner ever since. The team has strong players and passionate supporters, but it faces difficulties just before winning the league.